The LHC and Another Mystery Particle

Crossposted from Reflections Journal.

Here's where I pretend to understand quantum physics well enough to relate some very important news. The Large Hadron Collider, which enabled the detection of the elusive Higgs boson, or "God particle," has also revealed the pentaquark. It is effectively a new state of matter.

In 1964, two physicists - Murray Gell Mann and George Zweig - independently proposed the existence of the subatomic particles known as quarks.

They theorised that key properties of the particles known as baryons and mesons were best explained if they were in turn made up of other constituent particles. Zweig coined the term "aces" for the three new hypothesised building blocks, but it was Gell-Mann's name "quark" that stuck.

This model also allowed for other quark states, such as the pentaquark. This purely theoretical particle was composed of four quarks and an antiquark (the anti-matter equivalent of an ordinary quark).

I was just the other evening listening to an older interview with William Henry, in which he touched once again on the LHC. Henry has noted the similarity between the LHC and the 8 spoked wheel of Mayan prophesy.

Doctor Who and the Approaching Skingularity

Crossposted from Reflections Journal.

William Henry believes that we are facing a time of decision. Will we choose to remain fully organic beings or will we merge so completely with artificial technologies that they become part of our very skin? Henry has released an eBook, free to whomever asks for it. I recently received my copy and have only just started reading it and poring over the spectacular images. More information on The Skingularity is Near and how to receive your copy can be found here.

In March, Henry appeared on Coast to Coast AM to discuss our future, what is increasingly possible and what is our true potential. Whether or not you agree with Henry that humans are inherently and organically capable of transforming into light beings, the vision of tech companies to transfigure us through technology should reasonably terrify you. They're wearing us down, though, by promising ease, interconnectedness, and even virtual immortality.

Many of the technologies under development mimic the language, the imagery, and even the properties of cross-cultural resurrection and ascension mythologies. The possibilities entice not only because the promises are fantastical but because they resonate with core archetypes. Henry points out that it may well be a devil's bargain. We may be handing over our fundamental liberty to a convergence of state and corporate power. What looks like an enhancement of human power could really be very cleverly packaged tyranny.

We humans have an instinctual fear of merging with inorganic machines that has long played out in our modern mythologies. The Borg of Star Trek: Next Generation portray our primal terror of losing our humanity and independence to co-optation by intelligent machines. The Matrix trilogy depicts a world lost to our development of artificial intelligence, as self-aware machines reduce humanity to batteries and trap our consciousness in a VR simulacram. But the most direct parallel to Henry's "skingularity" and it's conflict with natural human evolution plays out in Doctor Who.

William Henry on Cave Paintings in India

Crossposted from Reflections Journal.

A few years ago, I asked if religion could survive first contact. Answer: It probably already has done, if we include indigenous medicine practices reaching all the way back into prehistory. The recent discovery of alien looking beings depicted in ancient stone art in India has rekindled debate over just what indigenous peoples have been painting on stone walls. According to archaeologist JR Bhagat, these ancient paintings accord with local legends about something that sounds an awful lot alien contact and abduction.

There are several beliefs among locals in these villages. While few worship the paintings, others narrate stories they have heard from ancestors about "rohela people" — the small sized ones — who used to land from sky in a round shaped flying object and take away one or two persons of village who never returned.

Many not human-looking beings and things that look like flying saucers have been discovered in cave paintings and these have given rise to questions about alien contact. But are these beings from other planets or other dimensions or, perhaps, both? Graham Hancock addressed this most recent discovery on his Facebook page the other day:

Aliens from other planets coming here in high-tech space ships? Or visitors from other dimensions? http://bit.ly/1oWXhn4. A few years ago when I asked Amazonian shaman Pablo Amaringo what the flying saucers were that he saw in his Ayahuasca visions, and painted in his extraordinary art (http://bit.ly/1oKnVfW), he told me they were vehicles for entering and leaving the spirit world. When a shaman speaks of the spirit world he's not far from the quantum idea of a parallel universe. I think the UFO and "aliens" mystery documented in rock and cave art all over the world may be MUCH more mysterious and intriguing than many believe. In my opinion these phenomena are real, but precisely WHAT they are remains to be established.

In my estimation, many of these otherworldly beings may indeed be from other planets and other star systems, but when one is moving through fourth dimensional space (or fifth, or sixth, etc.), the distance between worlds might not be so great. Some of these strange looking beings may be Earth energies, which again, are not third dimensional beings. We see them when we pierce the veil in some way.

Hancock has also explored the idea that there is some correlation between ufology, faerie lore, and shamanic experience. He makes a very convincing argument, one that really connects a lot of dots for me.

William Henry on 9/11

Crossposted from Reflections Journal.

William Henry has been talking about the symbolism of the World Trade Center Memorial architecture for some time. Above, in the player, is a video blog he did in 2011 which lays the groundwork for his new interview with Mark Gray; also in the player. In it they discuss, among other things, the startling connection between the new architectural vision for Ground Zero and it's relationship Mecca. And, no, it has nothing to do with the radical Islamists who apparently leveled the original towers.

Meanwhile, coincidence?

Koenig Sphere ~ Battery Park




Sphere in Pine Cone Court ~ The Vatican

Graham Hanock on TED Censorship

Crossposted from Reflections Journal.

Two of my favorite writers, Graham Hancock and William Henry, discuss TED and its censorship of talks that deal with non-local consciousness. I won't belabor this, because I have a nasty head cold and I'm headed back to bed, but it's a great interview and distills what Hancock learned from this experience and what it means for the status of the reductionist, materialist science that seems to be driving TED's choices.

On that subject, I also recommend this recent article discussing materialist science and how it fails to answer the experiences of those of us who have glimpsed what lies behind the veil. It's a sumptuous description of the writings of Walter de la Mare and his unique vision of the supernatural.

Materialism - the philosophy, not the perennial human tendency to pursue and accumulate material things - sees the universe as a physical system. Everything that exists in it must be some sort of matter, or something that emerges from matter. In a fully scientific view of the world, only material things are real. Everything else is just a phantom.

In this view, science is a project of exorcism, which aims to rid the mind of anything that can't be understood in terms of physical laws. But perhaps it's the dogma of materialism that should be exorcised from our minds. Science is a method of inquiry, whose results can't be known in advance. If scientific inquiry is the most powerful tool for increasing human knowledge, it's because science is continuously changing our view of the world. The prevailing creed of scientific materialism is actually a contradiction, for science isn't a fixed view of things, still less a dogmatic faith.

The belief that the world is composed only of physical things operating according to universal laws is metaphysical speculation, not a falsifiable theory.

For the complete rundown on TED's attempts to censor consciousness see here. 

Galaxy Quest Through the Wormhole

Crossposted from Reflections Journal.

In keeping with my new hobby -- identifying obscure archetypes and esoterica in pop culture -- I noticed a sequence in Galaxy Quest the other day depicting wormhole travel. It's really intriguing. Galaxy Quest is a riot, and an old favorite, but I've never really thought of it as a metaphysical film. The relevance of the scene clicked for me, though, when I was listening to William Henry's most recent edition of Revelations.

At about the 19 minute mark Robert Perala relays a life altering experience he'd had that involved contact with some sort of alien or other-dimensional beings. He describes being pulled through a wormhole and finding himself covered with some sort of sticky, oily substance. He was left shaken and nauseated by the experience.

Henry has been talking and writing about this "oil" for some time and theorizes that it's a kind "cosmic condom" that protects the body during stargate travel. He provides references to Enoch being taken up by the Archangel Michael and Jesus who had his feet anointed by Mary previous to his resurrection.

It occurs to me that this is pretty much exactly what happens in Galaxy Quest when Tim Allen, and later the rest of the cast, are transported by aliens to and from their space dock. It's shown in painful detail when a very hungover Jason Nesmith (Allen) -- a William Shatneresque star of an historic sci-fi series and frequent convention guest -- tries to return home from what he thinks is a guest appearance with hard-core fans. Having slept through his limousine-like spaceship ride, and having no idea he's  in outer space, he's shown to a platform to wait for his limo. Instead, he is covered in an unctuous substance -- which first anoints his feet. A portal opens onto the vastness of space and he is shot through a wormhole, and deposited next to his swimming pool. He stands for several moments trembling with shock.

It's a very funny scene in a very funny, quirky, little movie, but there are nods to something much deeper. It's well-shot and it's the little details that cinch it. Below are some stills, showing the sequence of events.

The Taybor and the Rainbow Body

Crossposted from Reflections Journal.

Padmasabhava

I've been rewatching Space 1999, mostly as an exercise in nostalgia and to amuse my inner child. My inner child loves her some Space 1999. It's not a terribly deep or esoteric show, particularly by the second season. But every so often it wanders into an intriguing archetype.

The other night I was watching "The Taybor." Taybor is "an inter-galactic merchant [who] arrives from hyperspace on his ship the 'Emporium.'" He is a silly character and the episode is largely quite silly but I was taken with their depiction of the hyperdrive that allowed him to move anywhere in space.

The drive itself is an oculus, aka., circumpunct, aka., stargate:

William Henry on the Judgement Day Device

Crossposted from Reflections Journal.

I noticed this article about the Muslim view of the apocalypse The Huffington Post and it reminded me that I've been meaning to listen to two recent interviews with William Henry. From the article:

Muslim and Christian views of the Apocalypse are remarkably similar, albeit with a different ending.

. . .

Contemporary Muslim apocalyptists have even borrowed from their Christian counterparts, such as Hal Lindsay, Jerry Falwell and Pat Robertson, to discern the dates of the Antichrist's arrival, said David Cook, an expert on Islamic eschatology and associate professor at Rice University.

. . .

Some Muslims don't like the idea of Jesus playing the messianic hero, and have thus assigned a larger role to the Mahdi, said Cook. That belief is strong among Shiites, particularly the "Twelvers" in Iran, where President Mahmoud Ahmadinejad has often spoke of the Mahdi's return.

William Henry's research adds an important piece to the puzzle of apocalyptic prophecies: the Ark of the Covenant. Henry believes that all the players are seeking the ark, in hopes of harnessing its mythical power. Above is posted his recent interview on Red Ice Radio and his interview on Awake in the Dream can found here.

The whole thing is a study in the dangers of literalism. Supplemental reading and listening can be found here and here.

"And when he was demanded of the Pharisees, when the kingdom of God should come, he answered them and said, The kingdom of God cometh not with observation: Neither shall they say, Lo here! or, lo there! for, behold, the kingdom of God is within you." ~ Luke 17:20-21

William Henry on Capitol Symbolism

Crossposted from Reflections Journal.

I love William Henry's take on the Capitol Building in DC and have posted on it several times. I just found this older Coast to Coast interview on the topic. It's excellent. In it, he diplomatically dispenses with the more paranoid readings of all the occult and Masonic symbolism and draws parallels to ancient Egypt. The more research on this I do, the more convinced I am that the philosophical underpinnings of the American revolution are about freedom in a much more esoteric sense than we've been taught in history class. It's about freeing our consciousness. It's evident in the richly layered symbolism of our America's iconic structures.

Olympics Close Goes For Alchemical Gold

Crossposted from Reflections Journal.

We've made it through the entire Olympics, both opening and closing ceremonies, without a false flag incident or alien invasion. This leaves the woo woo world with nothing to do but pick through the Illuminati and Masonic symbolism and speculate about how the elites are mocking us with their openly practiced death rituals. They're not entirely wrong. There was some interesting symbolism in the closing ceremony and, as in the opening, it was fairly well obscured by bad theater. But, again, all I saw were beautiful, recognizable, symbols of ascension. And as with the opening ceremony, if the viewer wasn't looking specifically at that nearly subliminal through-line, there wasn't one. The close was considerably less cluttered and confusing than the opening but it was equally high on spectacle and low on making sense.

They continued on with the theme of "Great Britain has produced many great musicians and wouldn't you like to hear them all in rapid succession but in no recognizable order." As a theme, a "Symphony of British Music" creates a less than coherent narrative. "Disco at the end of the wedding," another description offered by organizers, is even less helpful... unless you're considering the possibility that we are looking at a stream of alchemical symbols. A wedding is a marriage of opposites, or polarities -- a representation of the transcendence of duality and return to oneness. One notable example, attributed to the Rosicrucians, is The Chymical Wedding of Christian Rozenkreutz. Graham Hancock and Robert Bauval give a thorough analysis of the symbolism in The Master Game, concluding:

It seems to us beyond serious doubt that a great allegory of death, rebirth and spiritual transformation lies at the heart of the Chemical Wedding and that Adam McLean is right to compare the entire process to an ancient mystery initiation.

So was the closing ceremony celebrating a completed initiation into the mysteries? I'm inclined to say yes. The only other explanation is that a lot of highly respected talent collaborated on a giant mess with a few random symbols poking out by happenstance.

More Fun With Olympics Symbolism

Crossposted from Reflections Journal.

I just set my DVR to record the Olympics Opening Ceremony tomorrow night, even though I haven't watched or cared about the Olympics since I was a kid. But now I need to know if it will be first contact, or the beginning of the alien war, or just a garden variety terrorist attack, or... who knows. Mostly, I want to see for myself the spectacle of symbolic imagery that William Henry and Chad Stuemke have been talking about.

Henry and Stuemke had another chin wag about the upcoming festivities on Revelations and it's a lot of fun. There is no question that the volume and organization of symbolism we've seen during run-up is staggering -- stargate symbolism, alchemical symbolism, pagan symbolism, alien imagery. Someone is having a lot of fun. And as ever, it's hard to say how much is conscious and deliberate and how much is the subconscious, intuitional, creative process.

While this year seems really over the top, in terms of imagery, I have to say that I really hadn't realized how much the Olympics has been playing with some of these themes in past years -- the alien thing in particular. I didn't know, or didn't remember, until I watched the Red Ice Radio video special, that the 1984 Olympics had produced a spaceship and a giant alien. Says Stuemke, of the 7'8" alien, "Out of this world. Didn't make a lot of sense. But people loved it."

Red Ice Radio: Olympic-Size Strange Special

Crossposted from Reflections Journal.

A while ago I posted a William Henry interview on the strange happenings and symbolism associated with the Summer Olympics in London. Red Ice Radio interviewed both Henry and his guest from that show Chad Stuemke, in a special broadcast on the topic. They also brought together a sampling of other perspectives on just what is going on with the Olympics Planning Committee.

It's quite a compendium. In addition to Henry and Stuemke, there are interviews and excerpts of interviews with David Icke, Stewart Swerdlow, Bob Schlenker, Ian Crane, and the late Rik Clay. The commentary ranges from the insightful to the paranoid to the deeply paranoid to the unintentionally hilarious.

Of course much of it revolves around the conspiracy theory du jour, which is to say that the Illuminati is preparing us for a false flag event and/or alien invasion so that our reptilian overlords will be better able to enslave us or kill and eat us... or... it's not entirely clear. Where that argument is the strongest lies in the draconian security measures. London is being fully militarized for this event. But then, Great Britain has been morphing into a police state for a while now -- more than the US, even.

Full Circle

Crossposted from Reflections Journal.

I've written before about my near obsession with this basic form. First it possessed my inner vision, so that I seriously considered doing a giant, and I mean giant, canvas... except that I don't paint. Then I began to recognize it in a variety of contexts, penultimately in the giant obsessional painting of Battlestar Galactica character Kara Thrace. And it slowly dawned on me that it appears in a great deal of spiritual iconography. Now it's taken to stalking me.

Rightly or wrongly, Dan Brown calls the stripped down version of this symbol a circumpunct.

Brown has this to say in his novel [The Lost Symbol]: "In the idiom of symbology, there was one symbol that reigned supreme above all others. The oldest and most universal, this symbol fused all the ancient traditions in a single solitary image that represented the illumination of the Egyptian sun god, the triumph of alchemical gold, the wisdom of the Philosopher's Stone, the purity of the Rosicrucian Rose, the moment of Creation, the All, the dominance of the astrological sun, and even the ominscient all-seeing eye that hovered atop the unfinished pyramid. The circumpunct. The symbol of the Source. The origin of all things."

. . .

It is true that the circumpunct symbol has been around for millennia, albeit more often known as "the circle with the dot in the middle". It can symbolise everything from gold in alchemy to a European road sign for city centre. It is commonly used as a solar symbol and reputable sources date this to ancient Egypt, where the symbol has its origins in Ra (or Re), god of the midday sun. In fact, the circle with a midpoint, plus a vertical line is the hieroglyph meaning "sun".

So how did an Egyptian symbol rise to shine again as a token of the ancient mysteries among 21st-century Freemasons in Brown's novel? Langdon's exposition is as follows: "The pyramid builders of Egypt are the forerunners of the modern stonemasons, and the pyramid, along with Egyptian themes, is very common in Masonic symbolism." Very neat. Well done, Brown.

Brown is frustrating to read. I keep expecting there to be more of the depth hinted at by the subject matter but it's never forthcoming. And even in this case, the assigning of lineage and intrigue does nothing to address the pull this symbol has on the imagination or its underpinnings in sacred geometry. But it does flesh out a little context.

William Henry on Merging with Icons

Crossposted from Reflections Journal.

From For the Sexes by William Blake

A while ago I posted something about the pernicious role of iconoclasm -- and the second commandment -- in keeping humanity from direct interface with the divine. William Henry had touched upon the issue in an article on St. Francis of Assissi who developed stigmata, at least in part, because of his spiritual merging with religious iconography. I posited then that part of the motivation for iconoclasm is to keep us from the transcendent and mystical experiences that the Church has always found threatening. Direct experience of God was not something that just anyone was supposed to have.

I am currently reading Henry's Secret of Sion and he addresses the issue of icons as spiritual triggers, and the cruelty of a system that would deny them to humanity, very directly. He suggests that prior to the dark reign of the idol smashers, icons served an important and known function doing exactly what the second commandment says they shouldn't.

When the icons were made alchemy was the normal way of interacting with the world. Everything was viewed as in the process of transmutation or changing into something else -- like the acorn into the oak -- simultaneously unraveling and being reborn. Everything was transmutable, including the human body, which was viewed as a 'pupal' form of an ascended spiritual being, usually symbolized by the butterfly (earlier by the phoenix). All that was required to effect the transmutation was the Philosopher's Stone (= the pure tone or ring of the gate.) This (S)tone causes the body to emit or secrete an elixir - the Secretion of the Ages - that purifies the body, transfiguring it to light.

This is the key benefit of the Transfiguration icons. These images were designed not just to help the early Christians to teach about the Transfiguration through pretty pictures, but also to encourage them to re-shape their lives in accordance with the  hope or expectation of transforming into light (something our culture does not support). Through contemplation, meditation and reflection on the icon we begin to reflect the Light experienced by Jesus in our lives.

Unfortunately, in the seventh century Byzantine Emperor Leo III banned icons (726-729) in response to criticism from adherents of the new religion of Islam who proclaimed that icon/doors were false idols (more later).

. . .

William Henry on Olympic Strangeness

Crossposted from Reflections Journal.

Wenlock and Mandeville: Mascots for 2012 London Olympics

I will be the first to admit that I don't pay much attention to the Olympic Games. When I was a kid, I liked the figure skating but even that doesn't hold my attention anymore. No sports fan I, but more than that, I've completely lost interest in group-think. I find the collective, water-cooler nature of the experience off-putting. At the same time I realize that that's the major draw for a lot of people, hence the group-think. This year, though, I think perhaps I should pay more attention because it seems like something unprecedented is being directed at the collective mind. Or so I've learned from William Henry.

Henry's interview with Chad Stuemke is fascinating. The symbolism associated with the upcoming games in Great Britain is positively heavy-handed. So much so that Iran has threatened to pull out because of charges of a Zionist conspiracy. They've also apparently blocked the website. It would seem that by pulling the logo apart and readjusting the angles a bit, we come up with something that looks sort of like the word Zion. So conspiracy theories abound.

William Henry, however, has a somewhat different take, which speaks to one of the reasons I love his work. Henry's new book Secret of Sion is an examination of the mythical significance of Sion/Zion. He posits that it points to plane of existence associated with ascension, the seraphim, and the legendary rainbow body. And both he and Stuemke see the imagery associated with the 2012 Olympics as redolent with those themes. And, now that they say it, it's kind of hard to miss. This page on Stuemke's website gives a good rundown.

Robert Schoch and William Henry on the Sun

Crossposted from Reflections Journal.

Excellent discussion this week on William Henry's Revelations about the sun cycle and just how bad it could get. Robert Schoch is the geologist who researched the weather patterning on the Sphinx and back-dated its construction to some time before recorded history. His work has been extensively cited by Graham Hancock, Robert Bauval, and John Anthony West, who sought out his expertise to evaluate the claims of R.A. Schwaller de Lubicz. Schoch has since turned his attention to Gobekli Tepe, the oldest known temple which was fairly recently discovered in Turkey. (See here)

In this interview he discusses geological, archaeological, and mythological evidence of a civilization ending solar catastrophe in the ancient past. He describes an event that would have dwarfed the 1859 Carrington Event that saw northern lights as far south as Hawaii and set telegraph stations on fire. He is not alone in positing that this may be what the Mayan calendar warns. It also bears mentioning, I think, that one of the Time Monks' most consistent predictions is the meme "sun disease."

Schoch and Henry also discuss the possibility that the weird noise phenomenon, discussed here and here, may be associated with the unusual radiation coming from the the sun. Schoch explains the interrelationship between electromagnetic radiation and sound. We already know that the radiation bursts from the sun can be translated into sound -- like all energy, really -- so it's an interesting theory. There is a very metallic ring to what was recorded here. So this is one of the most substantive suggestions I've heard yet on this issue. 

Schoch is a sober researcher and a scholar so this is a very even-handed discussion. His book on the topic is here and more information can be found at RobertSchoch.com.

William Henry Wades Through the Deep Woo

Crossposted from Reflections Journal.

Recently on his radio show Revelations, William Henry discussed some of the challenges of sorting truth from fantasy in the alternative media marketplace with Randy Maugans. The resulting episode, "Hypesters, Lies and Mind Control" could just as easily have been called "William Henry and guest gently take the piss out of David Wilcock." I've been observing this trend in Henry's work for a while. He has been increasingly critical of his colleagues in the broader new age arena. It started with a kind of confusion and has gradually grown into dismay as his questions about the integrity of people in his milieu have grown. I notice it, in part, because I experienced similar disillusionment with teachers and colleagues in the psychic and healing arena I inhabit. There are people in my field with whom I respectfully disagree, which is fine. But I was also startlingly disabused, many years ago, of the notion that my fellow travelers were universally well-intended. I learned to my horror that some of them were self-serving and mercenary. I'm not going to say that Henry has reached the same conclusion but he's been noticeably shocked at the misuse and misrepresentation of his own work and has begun to publicly question the motives of some of his colleagues. In a recently posted interview, Henry talked about someone who had grossly distorted his work regarding the Capital Building. I'm wondering now if he meant Wilcock. He never expressly says it. But if you read between the lines... I don't know. Maybe.

In the interest of full disclosure, I should state that I have simply never been comfortable with David Wilcock. I learned about him some years ago in the context of his claim that he just might be the reincarnation of Edgar Cayce -- something from which he has more recently tried to distance himself. I listened to a lecture of his on YouTube. Much of it was interesting, if not original. It seemed to be based on solid, esoteric research. But when he started showing pictures of Cayce and his circle of friends and comparing those to pictures of himself and his circle of friends, I winced. It's not just the absurdity of using physical resemblance as a marker of reincarnation. It was something else -- the palpable sense that David Wilcock did not believe David Wilcock. In short, my bullshit detector went off. Now that's a purely intuitive response on my part and I'm not claiming to know Wilcock's heart. I don't know him at all. But I've learned the hard way that when the little hairs on the back of my stand up, I ignore that instinctual response at my peril. I would always implore others to listen to their own intuition and never trust my gut response over their own. So if you love Wilcock's work and think he's awesome, I would never try to disabuse you of that on my say-so. And I would never say that his work has no value. Some of it is quite interesting.

More William Henry: 2012 and Sion

Crossposted from Reflections Journal.

In this very recent Red Ice Radio interview, William Henry discusses his increasing discomfort with some of the factually challenged hype around 2012. He is also becoming more outspoken in his challenge of conspiracy theories about "the illuminati" and the like.

The major takeaway from this interview is Henry's illustrative tale of how the "the gods" hid the great mysteries from humanity.

The body is absolutely the machine. And that's the diversion to me. Because if you're lookin' for a machine out here -- I mean everybody's lookin' for the Ark of the Covenant. Where's the Ark of the Covenant? Is it in Ethiopia? Or is it? Where is it? Well, according to this tradition, the Ark of the Covenant is your first three chakras. And the reason why archaeologists can never find the Ark of the Covenant is 'cause they're always sitting on it. I mean, that's the old joke isn't it? Oh, the gods got together. They have this secret. They wanna hide this secret from humanity. Should we bury it in the ocean? No. They'll create a submarine. They'll be able to find it. Well, let's put it high up on a mountain. Oh, no, no. They'll be able to climb that mountain. Well, we should bury it in the desert. No. Someone will find it. Oh, I know. Let's put it inside them. They'll never think to look there.

If there is a "dark side of the illuminati," the biggest psych op they're running is planting conspiracy theories that demonize the very information that could set us free. As Henry points out, we're told that there are secret technologies that only the elite have access to, when the human body itself is the technology. We've just forgotten how to use it. And the key symbols and archetypes that serve as a reminder of how to activate that technology -- such as the "all seeing eye" -- are inverted and recast as symbols of oppression.

William Henry Talks Sun Worship, 2012, and More

Crossposted from Reflections Journal.

I have not been and will not be doing much blogging until I get some computer problems resolved. Don't ask. It's been a rough few months on many levels. But, in the meantime, I've managed to catch some good new YouTube vids and this Coast to Coast interview from November is an excellent reminder of how much more advanced the ancients were than our current tech dependent civilization. George Noory's interview with William Henry begins a little before the 40 minute mark.

Om the Dome for Fifty One Days

Crossposted from Reflections Journal.

Buy at Allposters.com

William Henry has been, for some time, calling on people to "Om the Dome" of the US Capitol. Henry's interest in the underlying symbolism in DC architecture, particularly in the Capitol Rotunda, I've discussed previously here, here, and here. An attack on that symbolism is underway by far right Christian groups who are organizing a prayer event called DC40.

The Reformation Prayer Network, led by Cindy Jacobs, and the Heartland Apostolic Prayer Network, headed by John Benefiel, have joined together to produce a nation-wide event called “DC40.″  The goal of DC40 is to effect “eternal change in our nation’s capitol so our elected officials can govern from a new position of uncompromising light and understanding as we change the spiritual atmosphere over Washington DC forever.” This effort is variously named DC40, Forty Days of Light Over D.C., and 51 Days of Reformation Intercession.

The change DC40 wants to make is electing leaders who fear the Christian God and “find that compromise is not the way” as it is impossible to “compromise with unrighteousness.” The “uncompromising light” refers to a statement released by Heartland Apostolic Prayer Network, which says God’s word should be the legal authority in the United States and Christians should acknowledge no other,  “no power to purpose or accept any compromise of the promises of God, and we declare illegal in the earth any action or any people, Nation or nations that undertake what is contradictory to the Word of God.”