Could Religion Survive First Contact?

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One could argue that shamanism has been surviving the discovery of Grey-like aliens going all the way back to the paleolithic era. But I don't think shamanism was what Ted Peters of the Pacific Lutheran Theological Seminary had in mind when he conducted a survey on how religious people would weather the discovery of extraterrestrial life. Study participants were mostly Buddhists and Christians of various denominations.

None of the 70 Buddhists questioned thought that the discovery of ET would undercut their belief systems, although 40 per cent thought it could pose problems for other religions.

More Roman Catholics believed ET could pose a problem for their faith. Only 8 per cent of the 120 surveyed thought that their individual beliefs would be shaken, but nearly a quarter – 22 per cent – said it could adversely affect their religion. Even more – 30 per cent – thought it could threaten the beliefs of other religious people.

I should point out that the Vatican has already weighed in on this issue, and determined belief in aliens to be no threat to Catholicism.

The patterns were similar for the other Christian sects surveyed, including evangelical and mainline Protestants, but there was not enough data to draw firm conclusions about people of other religions, such as Hindus and Muslims.

What I find far more interesting than the question of how religion would withstand proof of alien life, is the total disconnect between what people can accept and what they think other people can accept. This disconnect becomes even more pronounced when we look at the next group; the non-religious.

Of the 205 people who identified themselves as non-religious (either atheists or those who describe themselves as spiritual but not religious), only 1 per cent thought it would affect their atheist or spiritual outlooks. But 69 per cent thought the discovery of ET could cause a crisis for other world religions. An average of only 34 per cent of religious people shared that belief.

That atheists and others who have rejected organized religion would perceive churchgoers as fairly close-minded and resistant to dramatic change, shouldn't really come as a shock, I guess. But the whole thing is a fascinating commentary on the nature of tribal behavior or "group think." We are always either rejecting or bending to the collective will of our communities; and few of us seem comfortable rejecting it, outright. Most people choose conformity, because it makes them feel safe. One of the things I hear a lot from my clients is that they can't talk to their friends or neighbors about their spiritual beliefs -- or God forbid, that they consult a psychic -- because people would think they were crazy. Maybe they would. Maybe they wouldn't. I decided a long time ago not to get too invested in what other people think. It's exhausting. But a lot of people are controlled by it. This study is not the first evidence I've seen that suggests that people are capable of much greater flexibility, in their thinking, than we give them credit for. Many of them are probably just too scared to admit it.

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Graham Hancock Discovers the Ancient Teachers

Disclose.tv Graham Hancock Discovers the Ancient Teachers Video

Really fun interview with Graham Hancock exploring his body of work. Hancock makes the most of rather surface questions asked and manages to cover significant features of very diverse areas of his research and experience. He retraces his journalistic progression from East Africa correspondent for The Economist to his quest for the Ark of the Covenant in The Sign and the Seal, and how this opened the door to his incredible research into ancient mysteries and the possibilities of a great, lost civilization. He also goes into a fair bit of depth on Supernatural, his exploration of psychotropes in shamanic practice, and discusses the theories surrounding the correlation between UFO experiences and legends of the Fae. The lucidity with which he explains these very challenging concepts, and even distills the information down to soundbites, is quite astonishing. Like all of his work, very worthwhile.

Graham Hancock's books and other media can be found in the bookstore.

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The Next Level

Graham Hancock had this video posted to his Facebook page, so I took a look at it. It's a neat little round-up of ideas on transformation and multi-dimensional awaremeness, from thinkers as diverse as Joseph Campbell and Joe Rogan.

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The Secret, a Sweat Lodge, and STILL MORE Tragedy

If you missed the Nightline coverage of James Arthur Ray's sweat lodge gone wrong (originally covered here), it is available for viewing on the ABC website. I didn't think I could be more shocked and horrified by this story than I already was. I was wrong. Now we learn that there is a pattern of gross negligence on the part of this self-styled guru -- whose appearance in The Secret catapulted him to fame -- and his company JRI. The death toll is even greater than the three who died as a result of that abomination of a sweat lodge. An earlier death at a James Arthur Ray seminar has now come to light.

Colleen Conaway plunged to her death, an apparent suicide, during a bizarre exercise, in which people who paid thousands of dollars to JRI, were dressed up as homeless people, stripped of their money and identification, and dumped in downtown San Diego. No one interviewed seems to know quite what they were supposed to learn from this experiment, in abject poverty, but I have a sneaking suspicion that it wasn't compassion. I say this, in part, because so little compassion was extended to Colleen Conaway or her family. Just as would later occur with Liz Neuman, the third sweat lodge participant to die, the family was not notified, by JRI. Both Liz Neuman and Colleen Conaway spent time listed as Jane Does; one critically ill in a hospital and the other on a slab in the county morgue.

Colleen Conaway's family has asked the San Diego police department to reopen the investigation into the death.

The family wants to know what role Ray's event may have played in her death. Conaway's sister, Lynn Graham said, "It could have been brainwashing. He's been known for heavy-handed tactics. She went from someone excited about life to someone who was completely alone in a span of two days. You can't put people in such an emotional state and then just dump them."

. . .

One detail the family is concerned about is that the event bus picked up everybody, but left without Conaway. It would be seven hours before Ray's group reported her missing.

So James Arthur Ray, and his staff, left a bunch of people in downtown San Diego with no money or identification, dressed in rags, like some of the most vulnerable people in the population, and did not bother to notice that one was missing, for seven hours.

The portrait of Ray that emerges from this story is very unappealing. He comes across as self-absorbed, egomaniacal, and completely lacking in empathy. In the Nightline piece, former employee Melinda Martin describes his behavior during the sweat lodge debacle, which was so horrible that paramedics, when they were finally called, assumed it was a "mass suicide."

Martin said she wanted to call for help, but Ray's staffers told her no.

"They told me that that wasn't something that would be done, because in the past, 911 had been called, and James got very, very angry at the person who called 911, so that had already been quashed. So I was in the mode of taking care of people," she said.

. . .

Martin said that while people were being dragged out from the tent in front of him, Ray made no mention of stopping the ceremony. She said she was on the side of the tent when Ray exited the sweat lodge and saw the pandemonium outside.

"He came out, and he stretched his arms up, and everybody hosed him off, and he's like, 'Hey, thanks,'" Martin recalled. "I just stopped and I said, 'How can you walk out of there with all of these people are down and they're -- they looked near death, and you guys can walk out there looking like you just spent the day in the spa?' It was incredible to me."

. . .

As Martin performed CPR on a dying woman, she said her boss simply stared.

So, what does this have to do with The Secret, other than James Arthur Ray's association with the popular book and film? Unfortunately, I think the mindset encouraged by The Secret sets the stage for such tragedy, for a number of reasons. The Secret encourages denial of negative experiences and focus on only "the positive." This can cause us to miss crucial, red flags like, say, people begging for water, and so delirious that they are wandering into red, hot coals.

More to the point, The Secret indulges the ego. Again, I want to be very clear that I'm talking about The Secret, not necessarily Science of Mind or similar disciplines, of which The Secret is derivative. In most of these disciplines we learn that when we are stating intention, we must caveat that it be "for the highest good of all." Shakti Gawain, for instance, teaches this phrase:

This, or something better, now manifests for me in totally satisfying and harmonious ways, for the highest good of all concerned.

If such a caveat was referenced in The Secret, I don't recall it. Any such concept, if even mentioned, was dwarfed by the relentlessly consumerist focus. It's all about what we want, want, want, and satisfying the impulses of the ego. In The Secret, we learn from Joe Vitale, that the universe is a great big catalog where we can order up the experiences, relationships, and "products" we desire.

In her November 25 broadcast, on the subject of gratitude, Christina Pratt discussed the Quechua concept of Ayni; a philosophy and practice in which we recognize the interconnectedness of all life. There is no way I can do justice to her entire explanation, and I highly recommend downloading the podcast, but I will attempt to transcribe her explanation of the contrast between pop new age techniques for manifestation, and a shamanic practice of manifesting in "right relationship" with the world.

One of the things I see, in a more, I don't know... new age, for lack of a better word, kind of practice today, where people are busily focusing their intention to manifest what they want... Well, the problem with that is there is no conversation with your soul and spirit in that, because most of us identify with ourselves from an ego/personality place. And that all we're doing is using spiritual principles of intention and focus and prayer and manifestation, to make manifest what we want. What if what you want would bring the downfall of mankind, in 10 generations? Would you maybe change what you want right now?... This is what I mean by using shamanic skills to make better quality decisions.... So that when we start to use these powers of manifestation and focus and prayer, that we're doing it in a way that has taken our place in the fabric of everything into consideration. So we're doing it from a place of all the spiritual principles; not just that one single spiritual principle that you can manifest your destiny -- that you can manifest whatever you want. I mean that by itself is grossly dangerous.

For all his use of native practices, I doubt highly that James Arthur Ray was very focused on how his work would reverberate, in the world, for future generations. He remained completely oblivious to how it was affecting participants, in the here and now, when their lives were imperiled. He did not consider how their families would be affected by being left in the dark as they died. That none of this demonstrated "right relationship" with the world, is fairly obvious.

Such tragedies occur when we are so invested in our egos that we think the universe is here to serve us, like a great big catalog of riches, rather than considering how we serve the universe, by bringing our light into the world.

In general, I think the idea of using the so called "law of attraction" to manifest, demonstrates a shallow understanding of the universe. I've explained fairly thoroughly why I think that. But, The Secret is the shallowest of the shallow. It requires no application of universal principles to manifest what you want if you're driven, ruthless, ego-centered, and are willing sacrifice people along the way. People have been manifesting their wants that way from time immemorial, and look at where it's gotten us. James Arthur Ray has amassed a lot of wealth, and according to numerous accounts, he has done so through the application of incredible arrogance. No one can avoid "attracting" that dark reflection, of our shadow nature. There are consequences to everything. James Arthur Ray may soon be coming face to face with exactly what he's manifested.

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Drunvalo: The Maya of Eternal Time

As discussed here, Drunvalo Melchizedek has been in close contact with the National Mayan Council of Guatemala and it's leader Don Alejandro Cirilo Perez Oxlaj for some years. This council, which is the head of all 440 Mayan tribes, has not put out a statement on any prophecy for 527 years. They are only now breaking their silence regarding the Mayan Calendar. Over the summer, Drunvalo was able to deliver a sanctioned message, via webcast. In this program, he discusses those elements of the prophecy that the council is ready to report. This includes events that have occurred -- such as the "blue star prophecy" -- as well as signs that they are still waiting for. He also explains the background of the crystal skulls and how the secrets they hold are in the process of being recovered by the Maya.

Those who are nervous about the date Dec. 21, 2012 can relax... sort of. According to Drunvalo, that's the one date the Mayans are certain the forecasted events won't happen. Instead, they say, we have entered a window they call "the end of time." The pending polar shift and other events could happen anytime between now and 2015.

I find one of the most intriguing parts of this broadcast in Drunvalo's explanation of the ceremonial work he participated in. Readers of Graham Hancock's Supernatural should be interested at his description of events during a ritual that took place deep inside a cave. Here is Hancock's description of the cave paintings at Pech Merle (p. 16):

Floating over the red foreground of the panel, the Ice Age mammals of the Frise Noire conspire in the convincing illusion of a three-dimensional array. Through the clever use of tricks of perspective, the impression is somehow conveyed that the closer figures have emerged from the rock face itself, while the ranks of other creatures beyond them seem almost to fade and disappear into its inner depths.

Attentive listeners to this webcast will notice a description of exactly the kind of experience those Paleolithic shamans were undoubtedly conveying, through their art, thousands of years ago. This is one of many reminders I have been getting lately that shamanism is the original, global religion of humanity.


Don Alejandro Cirilo

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Sandra Ingerman Interview

Very interesting interview with shamanic healer, psychotherapist, and author Sandra Ingerman. Her book Soul Retrieval is considered by many to be the seminal text on this cross-cultural, shamanic healing practice. In this interview she explains the mechanism of soul loss and the importance of retrieving and integrating these scattered pieces of self. She also discusses why and how so many of us have submerged our inner light, to live as cogs in an industrialized society, rather than living our soul's purpose.

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The Secret, a Sweat Lodge, a Dreadful Tragedy

Two people have died and 19 others were hospitalized, in a sweat lodge ceremony that appears to have gone horribly awry. My heart goes out to the families of Kirby Brown and James Shore, and to those who are recovering in hospital. James Arthur Ray, "Personal Success Strategist" and contributor to The Secret, included the sweat in his Spiritual Warrior seminar.

Consider this a lesson in the dangers of dabbling. Ray claims to have studied with native shamans in Peru, the Amazon, and other places he doesn't "care to recall." He even claims to have "mastered" the techniques of these indigenous people. Somehow he seems to have missed this basic bit of wisdom: Don't cram 64 people into a sweat lodge.

Joseph Bruchac, an expert on Native American traditions and author of “The Native American Sweat Lodge,” said that number far surpassed the 8 to 12 typically present at such a rite. “It means that all these people are fighting for the same oxygen,” he said.

It also means it's very, very hot, because the body heat of all those participants has to be factored in. From early reports, it seems clear that the heat was dangerously excessive.

Authorities said 21 people were taken to hospital suffering from burns, dehydration, respiratory arrest and elevated body temperature after sitting in the sweat lodge at the Angel Valley Spiritual Retreat in Arizona. One of those people is in a critical condition.

. . .

Similar to a sauna, a sweat lodge, is an enclosed space where water is poured on heated rocks to cleanse the body. Used in Native American ceremonies the traditional lodges are made of willow branches and covered in canvas or animal skins. They are not meant to be air-tight and participants normally spend less than an hour inside.

However, authorities told the New York Times the James Ray's sweat lodge was covered in plastic and blankets. It is believed temperatures inside the lodge reached up to 49 degrees. [That's 120.2 degrees Farenheit.]

I have been very critical of The Secret, for, among other things, its glib, superficial approach to spiritual growth. This latest incident, involving a member of its brain trust, is a reminder that you can't just pluck things out of the context of spiritual traditions and repackage them as "self help" seminars, without risking psychic, emotional, and even physical injury.

That superficiality is readily apparent in the marketing copy for the seminar. I'd be wary of anyone claiming to teach any sort of warriorship or spiritual mastery, that won't require personal sacrifice.

There is no sacrifice—only greater and more magnificent results, wealth, adventure and fulfillment.

It would seem he gave the lie to that bit of slick marketing with his now deleted tweets, during the seminar.

JamesARay: Day 2 of SPW: "Ware must you be willing to give up to live the life you say is important to you?"

JamesARay: is still in Spiritual Warrior... for anything new to live something first must die. What needs to die in you so that new life can emerge?

Once again, once we know the "Secret" everything is really simple and painless... except when it isn't.

I picked through more of his site, and found more facile platitudes. There's this from his Practical Mysticism seminar:

Maybe you, like me, are tired of the so-called "spiritual individual" who is sick and broke all the time, or the "mystic hopeful" who can't carry on an intelligent conversation about real life.

Where, oh where, would motivational speakers be, without the mythical ne'er do well to use as a whipping boy? His disdain for the sick and economically disadvantaged is also highlighted on the home page.

Likewise, there are others who qualify as a creative genius, and they're physically sick all the time. That's not real wealth!

Then there are those who claim to be really "spiritual," and they're always financially broke. That's not wealth either!

Is it any wonder that so many people came away from The Secret feeling like their illness and adversity meant that they had failed somehow? If there's one thing I genuinely hope we learn as result of the economic downturn, it's to stop viewing poverty as a character flaw or spiritual weakness.

Many have criticized The Secret for its relentless focus on money. In the wake of this incident, I've seen much criticism of James Arthur Ray for charging nearly $10,000 for this training. I disagree with those who claim that real shamans don't charge anything, and that it's inherently wrong to accept remuneration for spiritual teaching. It is absolutely untrue that traditional shamans work for free. You can't compare tribes that live communally with the modern, western world and its economic system. Indigenous peoples use barter, which is just a simpler, more direct currency. Shamans and healers in many cultures receive produce, livestock, and other necessities as offerings for their work. That's a form of payment, and an exchange of energy that is wholly integral with their lifestyle. Trained, practicing shamans who live in our culture, require payment consistent with our economic system. There is nothing wrong with that. HOWEVER, $9,695.00 for a 5 day seminar is indefensible. It's hard for me to believe that this tragedy is, at bottom, about anything other than simple greed.

A little learning is a dang'rous thing;
Drink deep, or taste not the Pierian spring:
There shallow draughts intoxicate the brain,
And drinking largely sobers us again.

~ Alexander Pope in "An Essay on Criticism"

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Graham Hancock on Supernatural

A freshly minted and recent interview with Graham Hancock gives a wonderful overview of his career and views. Primarily focused on his book Supernatural, but also discussed are Fingerprints of the Gods and Sign and the Seal.

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Graham Hancock Discusses Supernatural

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I've put together playlists of several interviews with Graham Hancock about his book Supernatural. All threee interviews are excellent and informative. In them, he shares his experiences with the use of ayahuasca and other psychotropes, under the care of traditional shamans and other healers. He also explains his belief that shamanic, altered consciousness experiences underpin all the world's great religions and advocates that individuals have the freedom and encouragement to experience the boundaries of consciousness and explore the spirit world for ourselves.







The final interview with Conscious Media Network is also available for viewing in their free archive. It's the shortest of the interviews at just under a half hour.

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Tonight: Sage the White House with Kate Clinton

This evening at 6:15, comic Kate Clinton will be gathering with a group at Dupont Circle for a smudging ceremony to clear the White House of Bush. If schedule or geography precludes your attendance, never fear, for time and location are simply constructs of our own great imagining. We can all participate in the collective experience of cleansing the country, and the world, of the energy dynamic that has dominated for the past eight years. Start, as you would with any smudging ceremony, by brushing the smoke of burning sage (and/or sweetgrass, lavender, cedar, frankincense, copal) through your own aura. Be willing to release the anger, resentment, and other toxic residues, that may have accumulated over the past eight years. You might need a lot of sage.

Visit msnbc.com for Breaking News, World News, and News about the Economy

Last Friday, Kate Clinton appeared on Rachel Maddow to discuss the ceremony. The segment includes footage the Mayan shamanic ceremony that was held at Iximche in Guatemala in 2007 to clean up after Bush's visit.

For my original post on the Mayan remove all vestiges of Bush ceremony, see here.

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If We're All One...

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I tuned in yesterday afternoon to Christina Pratt's new radio show. (Which I announced here.) Christina provided a wonderful introduction to both the new show, and the practice of shamanism.

One of the concepts Christina touched on was the concept of oneness. A question from a caller exposed the difficulty a lot of people have with this concept when they're really being honest with themselves. The caller asked, and I'm paraphrasing, "Does that mean I'm one with people and behaviors I really dislike?"

Short answer, yes.

This is a fundamental challenge of inculcating a belief in oneness, when we are living this experience of duality. The concept that we're all one sounds yummy and warm when we're in a loving space, like when we're on a spiritual retreat. It tends to go out the window quite suddenly, when we're confronted with the very tangible yuckiness of the world at large.

Christina addressed this question from a shamanic perspective, and since I don't think I could do her answer justice, I'd suggest getting the podcast to hear her explanation. But, I'd like to address it from the perspective of mystical thought. Having studied for many years with Cherokee Mystic, Virginia Sandlin, it is one of the fundamental issues I've had to confront, in my own thought process. The role of a tribal mystic is different from that of a shaman. As Virginia has described it, a mystic is born embodying the context of oneness. They hold that context for their community. Where most of us perceive the manifestations of this world as separate and discreet, a mystic innately perceives them as expressions of the whole. In my years of study with Virginia I had my comfortable concepts of duality and over-there-ness ground to dust. She's relentlessly, mercilessly mystical. She is a mystic, after all.

An anecdote: Some years ago when I was taking a course with Drunvalo Melchizedek, I found myself increasingly uncomfortable with what has been aptly termed the "instamacy" of spiritual gatherings. To put it simply, I'm not a hugger. This puts me distinctly at odds with the cultural climate of a lot of "new age" gatherings. To me, a full body press with another person is a rather intimate expression; one I reserve for people I feel personal affection for. That kind of affection usually develops over time. I feel perfectly comfortable hugging close friends and family, but rarely people I've just met. But, anyone who's ever been to one of these things can tell you, hugging total strangers is the norm. So, it became an issue. Drunvalo's response was to tell me that I would some day realize everyone I met was "absolutely" me. I think he was somewhat taken aback when I told him I already fully understood that, but it didn't change my views on the hugging culture a bit. While it was most certainly true that everyone in that class was "me," so is Charles Manson. I don't want to hug him either. This is what I mean when I say that oneness can feel yummy when we're in a comfortable, reasonably agreeable environment. But, being "one" with someone doesn't actually mean you have to like or trust them. To do so can be foolish; even dangerous. What it does mean is that you have to own the parts of yourself that reflect them. This is where it becomes difficult.

Accepting that people and behaviors we dislike are "one" with us, is part of what Virginia terms "sourceful awareness." Each of us is the source of our reality. That means when we observe behaviors we dislike, we look to take responsibility for them in ourselves, first and foremost. Does that mean that when I observe Charles Manson -- and quite naturally recoil -- that I'm a murderous psychopath? No. What it does mean, is that somewhere in me is something that "reflects" murderous psychopath. It could be smaller than a speck under the nail of my pinky toe, but it is there somewhere, else I would not have sourced its reflection. Addressing that as an intellectual question will ultimately bring frustration, and cause the ego to go into a threat response. I could never tell you, from an analytical place, how I reflect murderous psychopath. But, there is a technique for addressing exactly these questions. Simply ask spirit to show you what that reflection is, in yourself, and allow the images or words to appear in your mind's eye. Often, what you see, won't even make any logical sense to you. But, whatever you see, be willing to forgive and release it. Whatever it is, it is a barrier between yourself and conscious unity with the divine.

"We still attribute to the other fellow all the evil and inferior qualities that we do not like to recognize in ourselves, and therefore have to criticize and attack him, when all that has happened is that an inferior 'soul' has emigrated from one person to another. The world is still full of betes noires and scapegoats, just as it formerly teemed with witches and werewolves."

~ Carl Jung

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Aliens and Ghosts More Popular than God

The Vatican newspaper made news last week when it forgave John Lennon's notorious blasphemy. The world was startled when Lennon suggested that the Beatles were more popular than Jesus, and that Christianity would "go." Lennon's comments were far better reasoned and considered than the Vatican's current dismissal, as the musings of young buck overwhelmed by fame, allows.

The Vatican continues to take slow, lurching steps toward modernity. In another bold move, last spring, the director of the Vatican Observatory acknowledged that the universe is very large, indeed, and that it was not a violation of faith to believe in extraterrestrial life. But, the bitterest pill for the church to swallow is that both music and aliens have much more resonance with the populace than traditional religion. Ghosts too, it appears.

More people believe in aliens and ghosts than in God, a new survey finds, according to a British newspaper.

The survey, however, was done by a marketing firm in conjunction with the release of an X-Files DVD, and details of how the poll was conducted were not reported in the Daily Mail. Survey questions, depending on how they are written, can greatly skew results, along with how subjects are sampled.

That said, the poll of 3,000 people found that 58 percent believe in the supernatural, including paranormal encounters, while 54 percent believe God exists. Women were more likely than men to believe in the supernatural and were also more likely to visit a medium.

Indeed, humans are prone to believing in things they can neither see nor find logical evidence for.

Perhaps the bigger news is that neither the church, nor the tsking of scientists, can disabuse people of their belief in things that cannot generally be independently verified or consistently perceived with the five senses.

Monsters are everywhere these days, and belief in them is as strong as ever. What's harder to believe is why so many people buy into hazy evidence, shady schemes and downright false reports that perpetuate myths that often have just one ultimate truth: They put money in the pockets of their purveyors.

The bottom line, according to several interviews with people who study these things: People want to believe, and most simply can't help it.

. . .

A related question: Does belief in the paranormal have anything to do with religious belief?

The answer to that question is decidedly nuanced, but studies point to an interesting conclusion: People who practice religion are typically encouraged not to believe in the paranormal, but rather to put their faith in one deity, whereas those who aren't particularly active in religion are more free to believe in Bigfoot or consult a psychic.

Yep. Left to our own devices we'll believe just about anything, I guess. Why is that, I wonder. Education doesn't seem to help. Indeed, college graduates are more open to the paranormal than freshmen.

Church orthodoxy has a long history of quibbling over what extrasensory perceptions are "of God" and which ones aren't. One of the more famous cases of such quibbling came about when Joan of Arc was burned as a heretic and a short 24 years later named a saint. Turns out she really was hearing the voices of saints, not the pagan idols of the "fairy tree."

Great attempts were made at Joan's trial to connect her with some superstitious practices supposed to have been performed round a certain tree, popularly known as the "Fairy Tree" (l'Arbre des Dames), but the sincerity of her answers baffled her judges. She had sung and danced there with the other children, and had woven wreaths for Our Lady's statue, but since she was twelve years old she had held aloof from such diversions.

It was at the age of thirteen and a half, in the summer of 1425, that Joan first became conscious of that manifestation, whose supernatural character it would now be rash to question, which she afterwards came to call her "voices" or her "counsel." It was at first simply a voice, as if someone had spoken quite close to her, but it seems also clear that a blaze of light accompanied it, and that later on she clearly discerned in some way the appearance of those who spoke to her, recognizing them individually as St. Michael (who was accompanied by other angels), St. Margaret, St. Catherine, and others. Joan was always reluctant to speak of her voices. She said nothing about them to her confessor, and constantly refused, at her trial, to be inveigled into descriptions of the appearance of the saints and to explain how she recognized them. None the less, she told her judges: "I saw them with these very eyes, as well as I see you."

My first thought, on reading of God's dismal poll numbers, is that those paranormal experiences are actually more tangible. Many people swear that they've actually seen aliens and ghosts. God, not so much. Although, in fairness, 4% isn't that great a disparity. The real challenge for organized religion is that God doesn't seem to present in the way "he's" described in scriptures. When we encounter some vaguely anthropomorphized entity, we're more inclined to call it an angel or an alien, than presume to call it the one true "God." The challenge for skeptical scientists, however, is that many people swear that they've actually seen aliens and ghosts. Who are you gonna believe? The double-blind studies or your own lyin' eyes?

It becomes difficult to disabuse people of something that is, for many, quite experiential, even if it can't be consistently replicated in a lab. How do you stop people consulting mediums when so many, who consider themselves quite average, have had experiences around the time of deaths; received messages, seen flashes of light, felt strange, unearthly breezes, and even had clearly definable visitations from their departed loved ones.

As long as people keep unintentionally "piercing the veil," no amount of reason will dissuade them from those pesky paranormal diversions.

Earlier this month Great Britain's minister in charge of science, of all people, admitted having a "sixth sense."

Lord Drayson, the government minister in charge of science, believes he has an uncanny ability “like a sixth sense” to know and predict some events instinctively.

The multi-millionaire businessman and Labour donor says he believes humans have strange abilities that are not widely understood. “In my life there have been some things I have known, and I don’t know why,” he said in an interview with The Sunday Times. “I think there is a lot we don’t understand about human capability.”

By way of explaining his sometimes uncanny insight, Lord Drayson cites Malcolm Gladwell's book Blink; a book one friend of mine describes "a book on intuition even men can understand."

In Supernatural, Graham Hancock posits that the intriguing parallels between shamanic experiences, extraterrestrial encounters, and legends of the faerie folk, can be explained by psychotropes. Faeries are often depicted around fungi known for their psychadelic properties. Many shamanic cultures use various psychotropes. At issue, specifically, is DMT. DMT is a naturally occurring brain chemical. It's produced in minute, rapidly absorbed quantities by the pineal gland. It is also present in a variety of plants. But, ingesting those plants has no effect, because the stomach secretes an enzyme that immediately deactivates it. Ayahuasca is used by many native tribes, not because it has hallucinogenic properties of its own, but because it suppresses the enzyme that deactivates DMT. Mixed with plant material high in DMT, it creates a powerful hallucinogenic cocktail, that the shaman can use to access non-ordinary reality. But, it may also be, according to Hancock, that some people simply produce higher quantities of DMT in their brains. Such people could spontaneously access the hidden world, experiencing alien encounters, and who knows what else.

It's an intriguing theory, and one worthy of exploration. For myself, I don't know what makes me psychic. I just am. I've always seen and felt presences. I've always been able to feel what other people are feeling. And I fall in and out of non-ordinary reality, pretty much at will. Could that be, at least in part, due to an excess of DMT? Perhaps. Whatever it is, the one thing I'm quite certain of, and always have been, is that it is not a unique ability. It is not some special power. It's our human birthright. Everyone is psychic. Some of us are just more actively aware of it than others. For many people it only rises to consciousness in extraordinary circumstances, like during times of major transition. Or, as Gavin De Becker explains, in periods of danger, when a very basic intuition kicks in with warnings best heeded. We're all capable of perceiving beyond the five senses, and, try as they might, the best religious and scientific minds can't rob of us of that fundamental ability.

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Fifty Tortoises and a 12,000 Year Old Shaman

A stone age shaman was buried with numerous parts of animals, that were apparently significant to her.

The grave contained body parts of several animals that rarely occur in Natufian assemblages. These include fifty tortoises, the near-compete pelvis of a leopard, the wing tip of a golden eagle, tail of a cow, two marten skulls and the forearm of a wild boar which was directly aligned with the woman's left humerus.

A human foot belonging to an adult individual who was substantially larger than the interred woman was also found in the grave.

Dr. Grosman believes this burial is consistent with expectations for a shaman's grave. Burials of shamans often reflect their role in life (i.e., remains of particular animals and contents of healing kits). It seems that the woman was perceived as being in close relationship with these animal spirits.

The wild boar bone, being aligned with her own, is particularly interesting. It seems to suggest therianthropy. As Graham Hancock explains in Supernatural, there are depictions of shamans transforming into various animals, in cave paintings, going back to the paleolithic era.

Although it's hard to say where the tortoises fit into the belief system of a prehistoric culture, the apparent importance that led these people to collect 50 of the solitary creatures for a burial is intriguing. I find it particularly fascinating, because I seem to be encountering turtle mythos everywhere I look, lately. And, we know that, in many documented indigenous beliefs, turtle and tortoise medicine are seminal, as I wrote here.

According to Dr. Grosman, the burial of the woman is unlike any burial found in the Natufian or the preceding Paleolithic periods. "Clearly a great amount of time and energy was invested in the preparation, arrangement, and sealing of the grave." This was coupled with the special treatment of the buried body.

Shamans are universally recorded cross-culturally in hunter-gatherer groups and small-scale agricultural societies. Nevertheless, they have rarely been documented in the archaeological record and none have been reported from the Paleolithic of Southwest Asia.

There are some other intriguing questions raised by the Natufian culture. According to Wikipedia:

It was a Mesolithic culture, but unusual in that it built stone architecture before the introduction of agriculture. The Natufian communities are possibly the ancestors of the builders of the first Neolithic settlements of the region, which may have been the earliest in the world. There is no evidence for the deliberate cultivation of cereals, but people at the time certainly made use of wild grasses.

What I find striking, in that, is that it's another instance of a rather highly developed and settled group of hunter-gatherers. Like the discovery of Gobekli Tepe, it challenges ideas about the progression of stone age peoples, suggesting the introduction of architecture before the domestication of grains. Likewise, the recovery of the elaborate burial site for the shaman would seem to indicate a very central role of spiritual practice in the evolving culture.

This discovery also provides further proof that religious leadership was not the sole province of men, in prehistory. Not only was this woman a shaman, she was an important enough figure to require a very involved burial. The idea of women as key figures in prehistoric civilizations has challenged more traditional archaeological views, for some time. Whether these were matriarchal cultures, or simply more gender neutral, continues to be debated, but there is increasing evidence that women held leadership roles in prehistory. In the prologue of Motherpeace, Vicki Noble explains the archaeological finds that inspired much of the artwork in the tarot deck of the same name.

Scholars are coming to acknowledge that the Goddess was alive in the prehistoric imagination and that her images represented a human commitment to "fertility" and "nature." Early religion revolved around "fertility cults" in which the Great Mother was worshiped and women acted as her priestesses. Found in many parts of the ancient world, these fertility religions extended as far back into the prehistoric Ice Age, reflecting the abundance of the Earth Mother and the biological mysteries of the female group. The characteristic features of a "fertility figure" are pendulus breasts, a fat, generally pregnant belly, and well-marked you (female genitalia). Probably the best-known example is the "Venus of Willendorf"...

In contrast to fertility cults is another form of ancient religion, known as shamanism, generally regarded as a predominantly male religious calling. Shamanism is a religion of ecstasy, associated most often with the ability of the spirit-body to detach from the physical body and fly like a bird to the spirit realms. The object of shaman "journeys" is usually a healing of the physical body or the human spirit, of the individual or the community at large.

A shaman's ability to leave the physical body is often represented in art by a bird, a human with the head of a bird, or a figure without a head (suggesting death of the ego). Similarly, a potential shaman may dream of losing his head or, in many cases, of total dismemberment and rebirth as a new being. Through trance journeys into the cosmos, the shaman learns to live in both worlds -- material and spiritual -- saving lost souls and dealing directly with the supernatural. Shamans always have animal "helpers" or "allies," just as witches have their "familiars." The shaman journeys to the other side and communes with the animals in order to take on some of their power and to learn things out of reach of ordinary human consciousness. [emphasis added]

Historically, the largely masculine field of archaeology has been baffled by the prevalence of female representation in prehistoric art and iconography.

Today, in a largely patriarchal world, these prehistoric and "primitive" Goddess images of dignity and quiet religious power challenge existing paradigms of our culture and open the way for spiritual transformation. Yet even in the case of these Goddess images, some contemporary scholars blandly assume that the artists were men. Until recently scholars could get away with asking, "When were there ever great women artists?" Their next step is the assumption that prehistoric man painted what "turned him on," and the conclusion that he must have liked his women fat -- such as the broad-hipped, full-breasted, pregnant "Venus" figurines. Perhaps, as in the age of Rubens, cave men did appreciate a full figure -- how will we ever know? But to reduce the Goddess images to Paleolithic pin-ups is wholly to miss their numinous power, as well as the likelihood that they were created by the female "in her own image."

I like to think that there have been advances in the thinking of archaeologists since the time of that writing. The discovery of this very important female shaman should bring us still further.

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Totem Series: Turtle

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Long before the world was created there was an island, floating in the sky, upon which the Sky People lived. They lived quietly and happily. No one ever died or was born or experienced sadness. However one day one of the Sky Women realized she was going to give birth to twins. She told her husband, who flew into a rage. In the center of the island there was a tree which gave light to the entire island since the sun hadn't been created yet. He tore up this tree, creating a huge hole in the middle of the island. Curiously, the woman peered into the hole. Far below she could see the waters that covered the earth. At that moment her husband pushed her. She fell through the hole, tumbling towards the waters below.

Water animals already existed on the earth, so far below the floating island two birds saw the Sky Woman fall. Just before she reached the waters they caught her on their backs and brought her to the other animals. Determined to help the woman they dove into the water to get mud from the bottom of the seas. One after another the animals tried and failed. Finally, Little Toad tried and when he reappeared his mouth was full of mud. The animals took it and spread it on the back of Big Turtle. The mud began to grow and grow and grow until it became the size of North America.

Then the woman stepped onto the land. She sprinkled dust into the air and created stars. Then she created the moon and sun...

-- Iroquois Creation Myth

As I mentioned in this recent entry, the attrition of turtle populations is raising alarm bells, not only of environmentalists, but indigenous peoples for whom they hold deep spiritual significance. Turtles are one of the oldest species on the planet and their mythology speaks to their ancient associations with earth itself. In many cultures, turtle is the very firmament upon which their civilizations stand. Turtle is the solid ground where waters recede.

There's an apocryphal story about an old woman at an astronomy lecture. Upon hearing about the earth orbiting the sun and the sun swirling through the galaxy, the woman pronounces this lesson nonsense and explains that the world sits on the back of a giant turtle. When the scientist asks her, "But, what is the turtle standing on?" she replies, "It's turtles all the way down." If it ain't true, as the saying goes, it oughta be.

Great myths like the turtle who carries the world are rich symbologies, not literal descriptions of any cosmology. When we examine them, we tend to find that they are encoded forms of actual events and principles. The ubiquity of the turtle emerging from the water and supporting civilization could very well be explained by a prehistoric flood. Much like turtle mythology, flood myths are globally ubiquitous, arousing scientific interest in that possibility.

More intriguing, turtle mythos speaks to the geometry behind creation itself.

Turtles have been and are held sacred in many traditions. In the Far East the turtle shell is seen as a symbol of heaven while the squarer underside is symbolic of mother earth.

Ponder this for a moment. Again, the idea of the merging of heaven and earth; above and below. More to the point, we have a conceptualization of spirit (heaven) becoming manifest form (earth). And the turtle represents this through the geometry of its body; the circle and the square.

That message comes through quite directly in the Eastern conception of the tortoise supporting 4 elephants, supporting the earth; the alternating forms of circle, square, circle, square.




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This is a creation myth rich in geometric function. As sacred geometer and mandala artist Charles Gilchrist explains, the squaring of the circle and the mythical four directions are seminal to the way we conceptualize earth.

C.G. "One of the most obvious examples is seen in the natural human creation of maps and their consistent orientation to the four directions. Virtually all maps, no matter where or when they were made, make reference to the four directions, North, South, East, and West. This world wide and timeless phenomena proves our human concept of the four directions is coming from within, as we keep reinventing it again and again and again. The four corners is a root psychological archetype naturally developing through the deeper sacred geometric archetypes of The Vesica Pieces and The Dynamic Square."

L.P. "So Charles, you are saying the ancient concept of the four directions evolved directly from the cross and the square which is to be found in the Vesica Piscis, and somehow bubbles up from the deepest aspects of our consciousness.?"

C.G. "Yes, exactly. The repeating revelation of the four directions comes from the deepest archetypes of our consciousness which are effecting our view of the material world. Sacred Geometry is at the heart of literally everything and is continually shaping our understanding whether we realize it or not."

. . .

And Leslie, here's the answer to your first question: a squared circle is created by duplicating its diameter four times, enclosing that circle (Fig. 10). In that sense, a square which perfectly encloses a circle is equivalent to that circle. That circle and square are like the left and right hands of the same energy. In that sense, The Square equals The Circle. That is what your Hindu author was writing about. Compare the squared circle enclosing a dynamic square and you have the graphic roots of classical Mandala (Fig. 11)"

Gilchrist points out that the astrological symbol for Earth is a circle around an equilateral cross. This form will also be familiar to anyone who has ever cast a ritual circle and called in the four directions. It will likewise be familiar as the Native American medicine wheel:



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And, the Celtic cross:



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People I've known with turtle totems have been very connected to earth energy. Their medicine is extremely complex, embracing the mystery of our origins. In his book Animal Speak, Ted Andrews describes turtle as the "keeper of doors," explaining that it's association with shore areas connect it to the portals of the faerie realm.

When turtle shows up in your life, it can be a reminder to connect to mother earth and to bring your spirituality into physical manifestation.

If you have a Turtle totem, you must be mindful of returning to the Earth what she has given you. Honor the creative source within you. Use water and earth energies to create a harmonious flow in your life. Ask the Earth for assistance and her riches will pour forth.

If a Turtle totem shows up in your life, slow down the pace of your life. Bigger, stronger, faster are not always the best ways to reach your goals.

Turtle is fine teacher of the art of grounding. When you learn to ground yourself to Earth's power and strength, you place focus on your thoughts and actions and use the Earth's limitless energies rather than your own to accomplish your will.

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Addendum: Orion7 emailed me with a link to a posting on a blog called, appropriately enough, Waking Up on Turtle Island:

“In the Mayan Myth of Creation, the paddler gods transported the Maize gods in a huge canoe that corresponded to the Milky Way until they arrived at the place of creation that we know as the belt of the constellation Orion. The Maya saw Orion's belt as a huge cosmic turtle. The god Chak cracked open the back of the cosmic turtle with a lightning stone. Watered and nurtured by the Hero Twins, the Maize Gods grew from the crack in the back of the turtle, which is now represented by the Ballcourt all across the Yucatan.
This structure is a representation and hommage to the great cosmic turtle.”
http://www.ancientworlds.net/aw/Post/261970
In addition, the Maya used three stars in the constellation Orion: The great blue giant, Rigel, Kappa Orionis, the star Saiph and the belt star, Alnitak. These three stars form an equilateral triangle called, “The Three Stones of the Hearth”. They represent the Maya hearth, made of three stones placed in a triangular pattern.
http://www.astras-stargate.com/orion.htm

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Did Stone Age Man Take Drugs?

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Graham Hancock certainly thinks so. And, he makes a very good case in Supernatural, which I might add, is one of my very favorite books. So, I was very excited this morning to see press reports appearing to confirm evidence of Stone Age drug use.

Scientists have long suspected that humans have an ancient history of drug use but much of the evidence has been indirect, ranging from the bizarre images found in prehistoric cave art to the discovery of hemp seeds in excavations.

Now, however, researchers have found equipment used to prepare hallucinogenic drugs for sniffing, and dated them back to South American tribes.

Quetta Kaye, of University College London, and Scott Fitz-patrick, an archeologist from North Carolina State University, found the ceramic bowls, plus tubes used to inhale drug fumes or powders, on the Caribbean island of Carriacou.

The bowls appear to have originated in South America between 100BC and 400BC and were then carried the 400 miles to the islands. One implication is that drug use may have been widespread for thousands of years before this time.

One problem. The time frame given -- 100BC - 400BC -- is by no stretch of the imagination, the Stone Age. To gain some clarity on the use of this term, I did a lot of googling, this morning. Ultimately, my husband located the original, peer reviewed article in the Journal of Archaeological Science. Nowhere, do the authors use the term "Stone Age," only "prehistoric." I see no evidence that the islanders documented in the article are latter Neolithic. As near as I can determine, someone thought "stoned age" was a clever play on words to describe the use of psychotropes by indigenous people, as documented by Kaye and Fitzpatrick. If anyone has a better explanation, I'd love to hear it.

Indeed, the only reference to Stone Age inhabitants of the Caribbean was here.

The first settlers were an unknown race of Stone Age people who lived in the Caribbean about 4,000 years ago.

Apparently without permanent settlements, they were hunter-gatherers. They left behind no pottery, only stone tools which the Arawaks found useful 1,000 years later when they moved into the islands.

The Arawaks called this unknown race Ciboney, after the Arawak word "ciba" for stone. Modern archaeologists still have no idea where the Ciboney wandered in from or off to, but they were gone from the Caribbean long before the Arawaks arrived.

So, as far as I know, there remains no documentary evidence that psychotropes were used in the actual Stone Age; specifically, the Upper Paleolithic era, which gave rise to the magnificent artifacts described in Supernatural. Even so, I have little doubt that some type of mind-altering methods were employed. They may have ingested any number of psychotropic plants. They almost definitely employed rhythmic drumming and/or dancing. The evidence presented by Hancock of geometric patterns, therianthropy, and nose-bleeds consistent with vigorous, ceremonial dancing, is just too strong. Here, Hancock describes the nut of the idea that inspired his research.

I quickly realized that this was the mystery, and the period, I wanted to investigate. Not that endless, unimaginative cultural desert from 7 million years ago down to just 40,000 years ago when our ancestors hobbled slowly through their long and boring apprenticeship, but the period of brilliant and burning symbolic light that followed soon afterwards when the first of the great cave art of southwest Europe appeared – already perfect and fully formed – between 35,000 and 30,000 years ago.

A most remarkable theory exists to explain the special characteristics of these amazing and haunting early works of art, and to explain why identical characteristics are also found in prehistoric art from many other parts of the world and in art produced by the shamans of surviving tribal cultures today. The theory was originally elaborated by Professor David Lewis-Williams, and is now supported by a majority of archaeologists and anthropologists. In brief, it proposes that the reason for the similarities linking all these different systems of art, produced by different, unrelated cultures at different and widely-separated periods of history, is that in every case the shaman-artists responsible for them had previously experienced altered states of consciousness in which they had seen vivid hallucinations, and in every case their endeavour in making the art was to memorialise on the walls of rock shelters and caves the ephemeral images that they had seen in their visions. According to this theory the different bodies of art have so many similarities because we all share the same neurology, and thus share many of the same experiences and visions in altered states of consciousness.

There are lots of ways of inducing the necessary altered state. The bushmen of South Africa get there through night-long rhythmic dancing and drumming, the Tukano Indians of the Amazon do it through consuming the hallucinogenic beverage Ayahuasca. In prehistoric Europe I present evidence that the requisite altered states may have been reached through the consumption of Psilocybe semilanceata – the popular little brown “magic mushroom” that is still used throughout the world to induce hallucinations today. In Central America the Maya and their prececessors used other psilocybe species (P.Mexicana and P. Cubensis) to induce the same effects.

The images speak for themselves.



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Totem Series: Skunk & Opossum

I'm writing about these in the same post because they have been coming up in my reflective reality in a kind of tag team fashion. They're not power animals I've ever given a lot of thought to, but lately they've been insinuating themselves into my life in rather dramatic fashion.

It started a couple of weeks ago when I was meditating. I found myself staring into the oddest little face; pale beige with dark eyes. I didn't even know what I was looking at, until I heard very clearly "opossum."


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So, I looked it up.

The opossum is a crafty animal that shows us how to play different roles. It knows when to act, when to hide, and when to show its true colors. Opossum is a master at recognizing truth as well as falsehood. When it wants attention it gets it. When it wants to be left alone it plays dead. It is a strategic animal that knows how to mold each situation according to its needs. It has the ability to decode hidden messages and read between the lines.

. . .

Opossums are nocturnal and raise their young in a pouch on their mid section. The young are born blind and rely on their feelings to guide them to their destination. They learn to sense their way around at an early age developing strong instincts by the time they reach adulthood. These instincts are complimented by their inherent ability to disguise themselves. The opossum is a multi-faceted actor that continually changes its appearance. It does not allow its emotions to consume its actions and partakes in the game of life with strategic maneuvers. Part of what the opossum teaches to those with this totem is emotional and mental stability.

The opossum is a craftsman in the art of appearances. When it appears in your life it is telling you to wake up and pay attention. Things are not what they seem to be. By observing your actions, reactions, thoughts and feelings, deeper insights emerge. This emergence leads to self-empowerment. Congratulations and welcome home!

The very next night, as I was drifting off to sleep, I found myself watching a little skunk walking along the side of a road. I had a sort of aerial view of the little creature as it toddled along.


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So, I looked it up.

The skunk is a very powerful totem with mystical and magical associations. It teaches how to give respect, expect respect and demand respect. This totem helps you recognize your own qualities and assert them.

Skunks are fearless but very peaceful. These are two wonderful qualities which you can learn from your skunk totem.

. . .

Individuals with a skunk totem must learn to balance the ability to draw and repel people. Skunks remind us that there is a time to be with people and a time for solitude.

The skunk's stripe is the outward sign of kundalini or life force. When you receive a skunk totem, your kundalini or life force activates and amplifies. You must learn to use this force effectively.

After this, I kept noticing both of these odd little critters, that are so rarely in my thoughts, coming up in conversation around me. I thought it a curious reflection. But, they both made themselves impossible to ignore the other evening when our house was, essentially, skunk bombed.

My husband I were sitting in the living room, watching the Republican Convention, when I noticed the smell wafting into the room. As luck would have it, it was an excessively warm, humid evening, and we had the house completely closed up and the air conditioning on. I knew it had to be fairly close, if we could smell it at all. So, I cracked the window to see what was up. Big mistake! The stench was unreal. And, it was starting to seep in from every crack and crevice all over the house. There was no room any floor, where you could not smell it.

We surmised that a fight must have broken out over cat food. We have a couple of very timid stray kittens we've been feeding. We've been winning them over slowly. So, we were concerned that one, or both of them, had gotten into a scrap with a skunk. My husband peeked out the front door at the bowl and came face to face with, wait for it... an opossum.

Husband: Not happy to find he's been feeding wild creatures in his attempt to nurture our little, waifish, feline friends. Me: Not happy at having a house full of skunk smell. It took a good two days to air it out completely.

I don't think it's any accident that these two archetypes have been appearing in tandem. There are some noticeable parallels between their respective medicines. Both have to do with striking a balance between the public and the private; assertion and withdrawal. And, they're both kind of cute, in their own ways. I just prefer to view them -- and smell them -- from a distance.

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Totem Series: Spider

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I have this long list of power animals I've been intending to write about. I had no intention of starting with spider, but she has other ideas. Every time I've thought about starting this series, she has been dangling before my third eye. In this vision, she is large, about six inches across, brown, and slightly furry. She has made herself impossible to ignore.

Spider has not been a primary totem in my experience for some time, but for years she was ever-present. My journey with spider began innocently enough one morning as I was awakening. As the fog was clearing from my head and my eyes regained their waking focus, I saw something large, black and furry scurry across my pastel green duvet cover. I bolted from my bed and was on my feet in a fraction of a second. It normally takes me a good while to achieve perpendicularity. I am not a morning person.

The spider in question was really only about a half of inch across. It seemed much larger and more menacing when it was barreling across my blankets. But it was a muscular looking thing; black with orange striped legs.

I was working in a new age bookstore at the time. I'd been at work for several hours, that day, when a customer I knew well came in to browse. We chatted pleasantly, as I polished some of the silver jewelry, when I noticed an identical spider crawling across the top shelf of the jewelry display case. Black, furry, with orange stripes. I shrieked. My friend laughed and offered to remove the spider for me. He reached into the case and tried to grab it, making several vain attempts before finally cupping it in his hand and placing it outside in a potted plant. "Oh yeah. She's here for you," he said, with a knowing wink.

For years, she was everywhere -- In my home, in my path, in my dreams -- compelling me to ponder the meaning of her medicine. Now, I have long known that spider is the divine creatrix, in many world traditions. I consider spiders sacred and won't intentionally kill one unless I'm genuinely concerned that it's poisonous. Spiders are helpful. They kill other pests. I generally leave them be and sweep away the old cobwebs when they're done. But, for a particular part of my journey, she was so ubiquitous that I was forced to dig deeper.

One aspect of spider is creativity. She creates from her own body by spinning, sometimes, very elaborate structures from these secretions.

Spider Woman used the clay of the earth, red, yellow,
white, and black, to create people. To each she attached
a thread of her web which came from the doorway at
the top of her head. This thread was the gift of
creative wisdom. Three times she sent a great flood to
destroy those who had forgotten the gift of her thread.
Those who remembered floated to the new world and climbed
to safety through the Sipapu Pole the womb of Mother Earth."

~Navajo Creation Story~
. . .

For the two-legged beside whom Spider crawls, there will exist a depth of creativity that may manifest in any of a myriad of ways. Perhaps the talent is in writing prose that conveys depth of feeling and spirituality, or it may be the human counterpart is particularly skilled at creating beautiful and intricate jewelry that will often have an etheric quality to them, much like glimmering strands of a spider’s web.

Whatever channel this creativity flows through, it is a quality and gift that must be expressed and allowed the freedom to flow. If creativity is not acknowledged in the Spider individual, then a very necessary and integral part of their Life’s Purpose is being denied.

Such creativity is divinely inspired and a Gift that is given by the Great Mystery. The paradox in this for the Spider individual may be that they will deny an awareness of their own creativity for many years in deference to other areas of their lives which seem to call for attention. Often, the area that distracts the Spider soul most often is that of relationships as much like Grandmother Spider was forever aware of her Children, so the two-legged with this creature being as a Totem will tend to focus much of their attention on loved ones rather than nurturing and fulfilling their own needs. Yet if the Spider Soul does not give license to this creative spark, it will feel as though their life’s blood is slowly ebbing away or they are being "drained" of energy.

That last bit is interesting, isn't it. Being drained of energy seems to be my life condition, no matter how much creative work I undertake. But then, I've long suspected that I have not yet discovered my truest work, and in resisting it, on some unconscious level, I'm wearing myself out. Hmmm... something to ponder.



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According to the same entry, the Senneca spider myth speaks directly to communication.

Another area in which Spider has been recognized as being a Creative Force, is in communication of all forms. The Senneca People believe that Spider created the first alphabet of the Two-Leggeds so that we could leave a written history of our travel, lessons learned and progress made on this walk around the Wheel of Life. Following is a recounting of the story behind the creation of that alphabet.

“Spider wove the web that brought humans
the first picture of the alphabet.
The letters were part of the angles of her web.

Deer asked Spider what she was weaving
and why all the lines looked like symbols.
Spider replied, "Why Deer, it is time for Earth’s children
to learn to make records of their progress in their Earthwalk."

Deer answered Spider, "But they already have pictures
that show through symbols the stories of their experiences."

"Yes" Spider said, "But Earth’s children are growing more complex,
and their future generations will need to know more.
The ones to come won’t remember how
to read the petroglyphs."

***When Spider is present as a Primary Totem, she will bring with her a gift of communication. Most often, this skill is conveyed via the written word, rather than orally delivered, as Spider Souls can be quite shy, though they are capable of weaving beautiful words in the form of poetry or fiction (think of a Spider spinning its web), that can leave the reader spellbound and enraptured.

If this talent is not obviously present, it has likely been repressed during early childhood. If this is the case, concentrated effort will need to be taken in resurrecting this suppressed talent, as part of what any Spider Soul is here to do, is to convey profound insight and wisdom via the written word. Again, this can be paradoxical, as often times the one beside whom Spider walks will be rather oblivious as to the true power of his/her words and ability to elicit strong emotions.

There is much that I relate to in these tellings of spider as creatrix. Writing and journaling have been a large part of my expression, lo these many years. But, as is my wont, I felt compelled to dig still deeper into the myth of spider. Spider is connected to very fabric of the world, and that is more fascinating to me than the various acts of creative expression within it.



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I had an experience some years ago that brought the deeper meaning of spider mythos home to me. I was vacationing at the Jersey shore. It was a strange trip for many reasons. There was a full moon that week; a blue moon. Laying on the beach one night, staring at the stars, images kept flickering in and out. The material world felt eminently permeable. Staring at the sky I kept seeing something that looked like lightening, but wasn't. And for moments at a time, fragments of the night sky disappeared, revealing a kind of grid pattern.

I mentioned this experience in a session with Virginia Sandlin, the Cherokee Mystic, with whom I studied for a number of years. When I described the grid pattern, she said, "Well, that's what it looks like." She explained that, as in the telling of so many native cultures, spider spun the great web, the matrix upon which all of material reality came into form. "Now picture," she said, "a giant spider web as if you were encircled by it. What would it look like? Wouldn't it look like a grid?"

I could not help but notice, in my first viewing of "The Matrix," the numerous spider images associated with the machine world. Most vividly, when Morpheus shows Neo what the matrix is and how human beings are being grown as crops, machines that look like white, translucent spiders can be seen crawling in amongst the pods.

Depending on how one feels about the physical world, spider can be a benevolent or a more ambivalent construct. When I was deep in my ponderings about why spider was such a constant reflection, one friend suggested that it might be a warning about not becoming entangled in human dramas. There could be some truth in that. But the drama in which we are all entangled is manifest creation itself; maya. Or, what Morpheus calls, "the world that has been pulled over your eyes."

When we know that maya is the power that blinds us, binds us and deludes us, we become aware of the extent of its influence and its role in our lives. Out of this awareness comes a senseof caution and discriminating, which ultimately leads to our salvation. But till we reach that stage, we remain in the grip of maya, like fish, caught helplessly in a net. Saivism recognizes maya as one of the pasas (bonds) or malas (impurities). It is responsible for our animal (pasu) existence or beingness and becomingness. It causes in us ignorance and egoism and binds us to the objects we desire and seek. It makes us believe that the objective world in which we live and experience alone is true. It draws us outwardly and binds us to the things, we love or hate or we want to possess or get rid of. It is responsible for our experience of time and space which otherwise do not exist. It conceals our true nature and makes us believe that we are mere physical and mental beings. Through its powerful pull, it draws us forcefully into the objective reality of the world in which we live and binds us to things and events through our thoughts and desires. Unlike the western religion, in Hinduism God is not separate from His creation. His creation is an extension of Him and an aspect of Him. This world comes into existence, when God expands Himself outwardly, like a web woven by a spider. In His subjective and absolute state, His creation is unreal and illusory, but in our objective and sensory experience and real and tangible. It is a projection or reflection of Him, like the objects in the mirror and the mirror itself, different from Him somewhat, but also not so different, dependent but virtually distinct. He uses the concealing power of His own maya to draw Himself into Prakriti and conceal Himself in it as a limited and diluted being.

Along those lines, I happened upon this story of an ancient Hindu temple that became the battleground for a spider and an elephant.

There was once a vast forest that surrounded the interior lands around the Kaveri river in Trichy district. It was a forest rich with Jambu trees under one of which was installed a Shiva Linga. Back in the serene world that surrounded this Linga lived an elephant that used to come and worship the Lord every day. The elephant was an ardent devotee of the Lord.

At the same time there was yet another unassuming devotee who used to worship the Lord with as much devotion. A spider used to live around the shrine and tie a web above it so that the leaves from the Jambu tree would not fall on the Lord himself. But there was a problem for every time the spider made his web to protect the Lord, the elephant would destroy it thinking it was absolute sacrilege. This resulted in a mounting fight between the spider and the elephant, a massive clash of egos.

Finally the spider decided one day that it would not take this any more. The next day when the elephant came to worship the Lord he as usual decided to destroy the web the spider had spun over the Linga. This time the spider got smarter and entered into the elephant’s trunk and bit him. The following duel killed both the elephant and the spider. This is when Lord Shiva appeared before both of them, and said that they both had pleased him well with their devotion.

The spider in his next birth was born as King Kochchengan who built the current temple at Thiruvanaikkaval, in the island city of Srirangam to worship Lord Shiva. Interestingly, he built the sanctum sanctorum in such a way that no elephant would be able to enter the Gharbha Griha. Hence this is the only temple where the Garbha Griha is built low, has a very small vestibule (Antarala) and an even smaller chamber within which the Lingam resides. The entrance is extremely small such that no elephant can even find its way in. The only way to view the Lord is through a Jali window placed in front of Nandi, through which the Lord can be seen. It is considered very auspicious to be able to view the Lord through the horns of Nandi Bull through the Jali window.

So, it would seem, that spider both expresses and conceals "god." He, or she, depending on the myth, is associated with the creation of the world, and with maintaining the illusion that keeps us feeling separate.

Indeed, in some tellings, spider is something of trickster. Anansi, a key figure in West African folklore, is such a character.

Anansi stories are known as Anansesem to the Ashanti, Anansi-Tori in Suriname and Kuent'i Nanzi in Curacao.

In some beliefs, Anansi is responsible for creating the sun, the stars and the moon, as well as teaching mankind the techniques of agriculture. Another story tells of how Anansi tried to hoard all of the world's wisdom in a calabash. In the end he realizes the futility of trying to keep all the wisdom to himself, and releases it.

Most cultures which feature Anansi in folktales also tell the story concerning Anansi becoming the King of All Stories, not just his own. In the original Ashanti version of this story, Anansi approaches Nyame, the Sky God, with the request that he be named King of All Stories. Nyame then tells Anansi that if he can catch The Jaguar With Teeth Like Daggers, The Hornets Who Sting Like Fire, and The Fairy Whom Men Never See, he will be King of Stories. Anansi agrees, despite Nyame's doubt that he can do it. Anansi then tricks the jaguar, who intends to eat him, into playing a game that allows Anansi to tie him up. He tricks the hornets by pretending that it is raining, and telling them to hide in a calabash. He tricks the fairy with the gum/tar baby trick addressed below. He then takes them to Nyame and becomes King of All Stories. Other versions, notably Caribbean variations, of this story involve Anansi getting Snake for Lion/Tiger.

So, I am left with deep ambivalence about spider. She brings both wisdom and trickery, creation and illusion. And sometimes, she bites.

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